Chicago

Paintings on this page are divided into two groups: architectural sketches and people.

What I leave on the page or surface is always according to the media I use. If I am working with watercolors, for example, I like to splash color here and there and let the water “do it’s thing.”

The architecture images are mostly painted from photographs. Even if I go out to work on site, I like to have worked out the positioning of the subject beforehand.

The people scenes are from videos I take while I ride my bicycle around town.

Aerialists

I always liked to draw the human body but in 2020, because of Covid restrictions, figure drawing sessions in studios around Chicago were being held remotely, which I found somewhat boring.

So, one day I went looking for contemporary dance videos on YouTube and landed on a recording of an Italian aerialist, Andrea Paoli. From there, I discovered that other aerialists from around the world post their training videos on Instagram and I began sketching and painting them.

I find aerialists (silk, loop and trapeze artists) fascinating. The body is dangling in the air from a prop that requires a lot of physical strength. You are up there, alone – most of the time – exposed, vulnerable and creating figures, stretching your body to feign a grace masking the strength required to perform your moves.

2005

These are two experiments using two 3-D software packages I dabbled with, Poser – for the human figure – and Bryce – for landscape modeling.

2016

A comic book store opened its doors down the street. I brought my son Gian Carlo there because I remembered how important comic books had been in my passion for reading. There I discovered the books of David Mack and created a series of portraits inspired by his watercolor technique.

If two-dimensional art lacks the element of action/time, I found out that it can be represented by the expressionistic effect of brushstrokes on the page.

1996

In these images, I was intrigued by the action of water, brush, transparency on paper.

2012

My son’s Gian Carlo’s interest in the art of Belgian artist Jean-Michel Folon inspired these images.

2020

(NOTE: You can click on each image to view details about each of the paintings.)

2020 is, of course, the year we were asked – or ordered – to stay home to avoid the spread of Covid-19. Except for a few days at the beginning of the stay-at-home order, I reported to work.

Since I could not go to museums or take classes in person, I decided to follow a course by Alex Hillkurtz on urban watercolor painting. That thrust me into a frenzy of painting like I hadn’t experienced since my days in college. Every day, back from work, I would sit in my studio and paint. Some people saw my work online and either bought the images or commissioned me to create them.

I set myself the following principles in choosing what to paint: if I worked from a photograph, it had to be one I took; if I took an image from somewhere else, it would only be a screen capture from a video; and, I would always modify what I saw so it would not be a straight copy from a photo.

In this process, I remembered there were some bas-relief from buildings I had walked by in Chicago that haunted me for years, so they became another source of material for watercolors.

Then came the demonstrations and riots around the country. I ride my bicycle downtown to take the train to work, and the change of energy around me prompted me to keep my phone recording all the time, just in case I found myself in a situation I wanted or needed to document.

I have a hard time sitting down and watching movies, but this was the year I spent long hours watching Netflix and Amazon Prime movies as I never did before in my life. I started sketching from these series.

Finally, I always liked to draw the human body but, again, because of Covid restrictions, I could not participate in the figure drawing sessions in studios around Chicago. So, one day I went looking for contemporary dance videos on YouTube and landed on a recording of an Italian aerialist, Andrea Paoli. From there, I discovered that other aerialists post their training videos on Instagram and I began sketching and painting them.